“I’ve noticed that people aren’t into individual glass shapes as much as they used to be,” says Doreen Winkler, a natural wine sommelier and founder of the wine club Orange Glou. Getting insights from wine experts, though, can ease the process––especially now that the wine scene is moving toward a more pared-down approach to glassware. Today, long-standing glassworks such as Barovier&Toso carry on the Venetian glasswork tradition, while modern furniture designers and sculptors such as Christophe Côme and Jeff Zimmerman elsewhere test the limits of the radical art form that is glassmaking.įrom chandeliers to Luminarc stemware, find a collection of antique, new and vintage glass on 1stDibs.With so many styles available at a wide range of price points, shopping for wine glasses can be overwhelming.
Over the years, collectors of glass decorative objects or serveware have sought out distinctive antique and vintage pieces of the mid-century modern, Art Deco and Art Nouveau eras, with artisans such as Archimede Seguso, René Lalique and Émile Gallé of particular interest for the pioneering contributions they made to the respective styles in which they worked. Then, on the island of Murano in Venice, Italy, modern art glass as we know it came to be. Later, new glassmaking techniques took shape during the Hellenistic era, and glassblowing was invented in contemporary Israel. From there, the production of glass vases, bottles and other objects proliferated in Egypt under the reign of Thutmose III.
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It is believed to have originated in Northern Mesopotamia, where carved glass objects were the result of a series of experiments led by potters or metalworkers. Glassmaking is more than 4,000 years old. Whether you’re seeking glass dinner plates, centerpieces, platters and serveware or other items to elevate the dining experience or brighten the corners of your living room, bedroom or other spaces by displaying decorative pieces, find an extraordinary range of antique, new and vintage glass on 1stDibs. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. It’s difficult to overstate the influence that modernism continues to wield over designers and architects - and equally difficult to overstate how revolutionary it was when it first appeared a century ago. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair - crafted with his romantic partner, designer Lilly Reich - and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics.
Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface avoidance of ornament.”Įarly practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.įollowers of both groups produced sleek, spare designs - many of which became icons of daily life in the 20th century. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression.
The late 19th and early 20th centuries saw sweeping social change and major scientific advances - both of which contributed to a new aesthetic: modernism.
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